Elliott Hundley’s densely articulated works individually fluctuate between painting, collage, photography, and sculpture. Incorporating a diverse spectrum of materials––from photographs he takes of performers on elaborate sets, to flea market objects and newsstand clippings––he employs content-rich resources that are psychologically dense to form a kind of decentralized cultural map. Often referring to Greek plays, Hundley is not only interested in how those particular narratives are representations of our shared subconscious, but also how the recordings of those plays, for which there were never perfect versions or final drafts, physically and mentally manifest in perpetual reinterpretations.
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