Ryan Trecartin
Lizzie Fitch/Ryan Trecartin
Lake Anticipation
2016
Unique sculptural theater, showing a looped exhibition copy of the movie Temple Time, and ambient sound tracks.
Components: trees, tree stands, temple chairs, bench, hot coal bins, X-Scream bean bags, message boards, dock, carpet, paint, drop ceiling, movie player, sound systems, lighting system.
Original installation dimensions:
144 x 300 x 332 1/4 inches
(365.8 x 762 x 843.9 cm)
ARG# FLTR2016-001
Installation view:
Andrea Rosen Gallery, New York
March 19 - April 20, 2016
Still from:
Ryan Trecartin
Temple Time
2016
Single-channel HD Video, runtime 54:32
Edition of 6 with 2 APs
ARG# TRN2016-001
Lizzie Fitch/Ryan Trecartin with Rhett LaRue
Stunt Tank
2016
Unique sculptural theater with single-channel HD Video, 44:13 loop
Components: pontoon chairs, custom railing, carpet, paint, drop ceiling, lighting, ambient sound
Dimensions:
144 x 262 1/2 x 168 inches
(365.8 x 666.8 x 426.7 cm)
ARG# FLTR2016-002
Installation view:
Andrea Rosen Gallery, New York
March 19 - April 20, 2016
Lizzie Fitch/Ryan Trecartin
Retreatery Butte
2016
Unique sculptural theater exhibiting Mark Trade (single-channel HD Video, runtime 1:13:30)
Components: bar tables, bar stools, custom rock seats, park grills, fire rings, carpet, paint, lighting, ambient sound
Original installation dimensions:
157 x 331 1/2 x 233 1/2 inches
(398.8 x 842 x 593.1 cm)
ARG# FLTR2016-003
Installation view:
Andrea Rosen Gallery, New York
March 19 - April 20, 2016
9th Berlin Biennale for Contemporary Art
2016
Still from:
Ryan Trecartin
Mark Trade
2016
Single-channel HD Video, runtime 1:13:30
Edition of 6 with 2 APs
ARG# TRN2016-002
Lizzie Fitch/Ryan Trecartin
Safety Pass
2016
Unique sculptural theater exhibiting Permission Streak (single-channel HD Video, 21:17 without credits)
Components: gym mats, custom diving bunk, wooden platforms, message boards, carpet, paint, drop ceiling, lighting, ambient sound
Original installation dimensions:
144 x 149 x 228 inches
(365.8 x 378.5 x 579.1 cm)
ARG# FLTR2016-004
Installation view:
Andrea Rosen Gallery, New York
March 19 - April 20, 2016
9th Berlin Biennale for Contemporary Art
2016
Lizzie Fitch/Ryan Trecartin
Site Visit
2014
Sculptural theater with 6-channel movie, 5.1 soundtrack, and multi-channel sound installation (total duration 49 minutes 24 seconds). 3D Animations with Rhett LaRue.
Dimensions variable
Installation view:
Lizzie Fitch/Ryan Trecartin
Site Visit
Kunst-Werke Berlin
September 14, 2014 - February 15, 2015
Photographer: Timo Ohler
Lizzie Fitch/Ryan Trecartin
Priority Innfield (Pole)
2013
One of five freestanding pavilions, exhibiting Ryan Trecartin, Item Falls (HD video, installation version, duration 21:05)
135 3/4 x 253 3/8 x 193 3/4 inches (344.8 x 643.6 x 492.1 cm)
ARG# FLTR2013-004
Installation view:
Il Palazzo Enciclopedico / The Encyclopedic Palace
55th Venice Biennale
curated by Massimiliano Gioni
June 1 - November 24, 2013
Photographer: Fulvio Orsenigo
Ryan Trecartin
Item Falls
2013
HD Video, duration 25:45
Edition of 6 with 2APs
ARG# TRN2013-004
Lizzie Fitch/Ryan Trecartin
Priority Innfield (Fence)
2013
One of five freestanding pavilions, exhibiting Ryan Trecartin, CENTER JENNY (HD video, installation version, duration 50:07)
136 1/2 x 192 x 192 inches (346.7 x 487.7 x 487.7 cm)
ARG# FLTR2013-003
Installation view:
Il Palazzo Enciclopedico / The Encyclopedic Palace
55th Venice Biennale
curated by Massimiliano Gioni
June 1 - November 24, 2013
Photographer: Fulvio Orsenigo
Ryan Trecartin
CENTER JENNY
2013
HD Video; duration 53:15
Edition of 6 with 2APs
ARG# TRN2013-003
Lizzie Fitch/Ryan Trecartin
Priority Innfield (Villa)
2013
One of five freestanding pavilions, exhibiting Ryan Trecartin, Junior War (HD video, installation version, duration 24:17)
124 1/2 x 228 x 172 1/2 inches (316.2 x 579.1 x 438.2 cm)
ARG# FLTR2013-005
Installation view:
Il Palazzo Enciclopedico / The Encyclopedic Palace
55th Venice Biennale
curated by Massimiliano Gioni
June 1 - November 24, 2013
Photographer: Fulvio Orsenigo
Lizzie Fitch/Ryan Trecartin
Priority Innfield (Way)
2013
One of five freestanding pavilions, exhibiting Ryan Trecartin, Comma Boat (HD video, installation version, duration 31:23)
128 x 216 x 192 inches (325.1 x 548.6 x 487.7 cm)
ARG# FLTR2013-001
Installation view:
Il Palazzo Enciclopedico / The Encyclopedic Palace
55th Venice Biennale
curated by Massimiliano Gioni
June 1 - November 24, 2013
Photographer: Fulvio Orsenigo
Ryan Trecartin
Comma Boat
2013
HD Video; duration 33:02
Edition of 6 with 2APs
ARG# TRN2013-002
Lizzie Fitch/Ryan Trecartin
Priority Innfield
2013
Sculptural theater comprising five freestanding pavilions, exhibiting Comma Boat, CENTER JENNY, Item Falls, Junior War (all movies HD video), and Wake (ambient soundtrack)
Dimensions variable
Installation view:
Lizzie Fitch/Ryan Trecartin
October 2 - December 21, 2014
Zabludowicz Collection, London
Photographer: Stuart Whipps
Still from:
Lizzie Fitch/Ryan Trecartin
Yielders Path
2015
Sculptural theater with single-channel HD Video, 3D Animations with Rhett LaRue. Runtime 49:24
Components: large upholstered forms, support pillows, sleeping bags, theater chairs, imitation trees, logs, carpet, paint, low-frequency tactile transducers, drop ceiling with display screen, light program, sound, movie
Dimensions variable
ARG# FLTR2015-010
Ledge
2014
Sculptural theater with 6-channel HD video and 5.1 soundtrack, 3D animation with Rhett LaRue
Runtime: 49.24
Dimensions variable
ARG# FLTR2014-008
Installation view:
Regen Projects, Los Angeles
October 22 - November 26, 2014
Lizzie Fitch/Ryan Trecartin
Under Sided
2011
Sculptural theater exhibiting: Temp Stop (Re'Search Waits), 2009-2010, HD video
ARG# FLTR2011-006
Installation view:
Any Ever
Musée d'Art Moderne de la Ville de Paris
October 18, 2011 - January 8, 2012
Temp Stop
(Re'Search Wait'S)
2009-2010
HD video
11 minutes
Edition of 5, 2 APs
ARG# TRN2009-006
Lizzie Fitch/Ryan Trecartin
Containment Place
2011
Sculptural theater exhibiting: Roamie View: History Enhancement (Re'Search Wait'S), 2009-2010, HD video
ARG# FLTR2011-002
Installation view:
Any Ever
MoMA PS1
Long Island City, New York
curated by Klaus Biesenbach
June 19 - September 3, 2011
Roamie View:
History Enhancement
(Re'Search Wait'S)
2009-2010
HD video
28 minutes, 23 seconds
Edition of 5, 2APs
ARG# TRN2009-005
Lizzie Fitch/Ryan Trecartin
Living Comp
2011
Built around:
Ready (Re'Search Waits), 2009-2010, HD video, duration 26:49
Sculptural theater
ARG# FLTR2011-005
Installation view:
Any Ever
MoMA PS1
Long Island City, NY
curated by Klaus Biesenbach
June 19 - September 3, 2011
Ryan Trecartin
Ready (Re'Search Waits)
2009-2010
HD video
Duration 26:49
Edition of 5, 2 APs
ARG# TRN2009-004
Lizzie Fitch/Ryan Trecartin
Available Sync
2011
Sculptural theater exhibiting: The Re'Search (Re'Search Waits), 2009-2010, HD video
ARG# FLTR2011-004
Installation view:
Any Ever
MoMA PS1
Long Island City, NY
curated by
Klaus Biesenbach
June 19 - September 3, 2011
Ryan Trecartin
The Re'Search (Re'Search Wait'S)
2009-2010
HD video
Duration 40:06
Edition of 5, 2APs
ARG# TRN2009-007
Lizzie Fitch/Ryan Trecartin
Equal Plaza
2011
Built around:
KCorealNC.K (section a), 2009, HD video
Sculptural theater
ARG# FLTR2011-003
Installation view:
Any Ever
MoMA PS1
Long Island City, NY
curated by Klaus Biesenbach
June 19 - September 3, 2011
Ryan Trecartin
K-CorealNC.K (section a)
2009
HD video
Duration 33:05
Edition of 5, 2APs
ARG# TRN2009-002
Lizzie Fitch/Ryan Trecartin
Auto View
2011
Sculptural theater exhibiting: Sibling Topics, (section a), 2009, HD video
ARG# FLTR2011-007
Installation view:
Any Ever
MoMA PS1
Long Island City, NY
curated by Klaus Biesenbach
June 19 - September 3, 2011
Ryan Trecartin
Sibling Topics (section a)
2009
HD video
Duration 51:26
Edition of 5, 2APs
ARG# TRN2009-001
Lizzie Fitch/Ryan Trecartin
Public Crop
2011
Built around:
P.opular S.ky (section ish), 2009, HD video
Sculptural theater
ARG# FLTR2011-008
Installation view:
Any Ever
Musée d'Art Moderne de la Ville de Paris
October 18, 2011 - January 8, 2012
Ryan Trecartin
P.opular Sky (section ish)
2009
HD video
Duration 43:51
Edition of 5, 2APs
ARG# TRN2009-003
Lizzie Fitch/Ryan Trecartin
Local Dock
2011
Sculptural theater with two ambient soundtracks: Premise Fade, 2010 and Behind Wait, 2011
Dimensions variable
ARG# FLTR2011-001
Installation view:
Prima Materia
Punta della Dogana, Venice
curated by Caroline Bourgeois and Michael Govan
May 30 - December 31, 2014
The Generational Triennial: Younger Than Jesus
New Museum, NY
April 8 - July 12, 2009
Still from:
I-Be Area
2007
Video
Duration: 1 hour, 48 minutes
Edition of 8, 3APs
ARG# TRN2007-002
Hammer Projects: Ryan Trecartin
2008
Hammer Museum, Los Angeles
September 10 - December 7, 2008
Still from:
A Family Finds Entertainment
2004
video
duration 41 minutes, 12 seconds
Edition of 8, 3AP
ARG# TRN2004-001
Still from:
(Tommy Chat Just E-mailed Me.)
2006
video
duration 7 minutes, 15 seconds
Edition of 8, 3AP
ARG# TRN2006-004
Still from:
Wayne's World
2003
video
duration 8 minutes, 5 seconds
Part of:
Early Baggage
2001-2003
DVD video box set containing:
Valentine's Day Girl, 2001
Yo! A Romantic Comedy, 2002
Wayne's World, 2003
What's The Love Making Babies For, 2003
Edition of 8, 3AP
TRN2001-002
Still from:
What's The Love Making Babies For
2003
Duration: 21 minutes and 46 seconds
Part of:
Early Baggage
2001-2003
DVD video box set containing:
Valentine's Day Girl, 2001
Yo! A Romantic Comedy, 2002
Wayne's World, 2003
What's The Love Making Babies For, 2003
Edition of 8, 3AP
TRN2001-002
Ryan Trecartin
The Friendliest Survival Planner Yet (2015) Animation Companion
Digital print, hand wrapped custom frame, denim, glue, wood, non-glare plexiglass, aluminum backing
Framed: 38 x 26 x 1 1/2 inches (96.5 x 66 x 3.8 cm)
Edition of 6 with 2 APs
ARG# TRN2015-005.5
RYAN TRECARTIN
Arrive Alive Tickle Pets (2015) Animation Companion
Digital prints, hand wrapped custom frames 3mm military sandwich mesh, 1000 denier coated codura nylon, crushed velvet rayon cotton mix, camouflage exterior blind fabric, glue, wood, non-glare plexiglass, aluminum backing
Overall: 62 5/8 x 77 x 1 3/4 inches (159 x 195.58 x 4.4 cm)
Edition of 6 with 2APs
ARG# TRN2015-002
County Floaters
2015
red ‘Uline’ barrel, trash can dolly, screws, ‘Ohio Bobcats’ rain poncho, fake banana tree, fake foliage, leggings, rope, bungee, plastic, foam, epoxy, synthetic hair, baseball cap, birdseed cone in plastic netting, cigarette butt, wood, screws, spray paint, ‘Dragon Skin’ platinum silicone, nuts, bolts, washers, casters, tin pig, burl section, towel, acrylic paint, dog toy, safety glasses case, panty hose, press-on nails, safety cone, saw dust, rope, clamps, hats, t-shirt, run-off barrier, ceramic potter, beaded stickers, ceramic cat, glow in the dark pigment, pigments, decorative paper flowers, decorative fishing net, earrings, wire, blue tape, key chains, key rings, wood chips, needles, scrunchie, fabric measuring tape, star fish, toddler shoes, children’s skirt, children’s jacket, sock, bandana, decorative balls, wicker lantern, over-the-door hooks, gaff tape, eyelashes
Overall dimensions: H 81” x W 39” x D 95” (206 cm x 99 cm x 241 cm)
ARG# FLTR2015-002
Free Shot
2015
auto reset shooting target, fake birds, epoxy, pearlescent pigment, spray paint, decorative metal branch, fake cactuses, shells, plastic, zip-ties, shoes, children’s pants, key rings, watches, baseball cap, stuffing, glass ornament, decorative bird cage, nut, bolt, earrings, safety orange hunting kerchief, gel medium, planter dolly, epoxy foam, steel
Overall dimensions: H 37.5” x W 21.5” x D 32” (95 cm x 55 cm x 81 cm)
ARG# FLTR2015-001
Baby Gaits
2013
acrylic paint, belts, cardboard, castors, clip clamps, contact cement,
epoxy, fiberglass, hammer, ladder piece, leggings, MDF, metal rods,
pigment, plaster, plastic, screen print ink, screws, silicone,
staples, sweatshirt, traffic cones, underwear, washers, zip ties
50 x 60 x 75 inches (127 x 152.4 x 190.5 cm)
ARG# FLTR2013-009
Comma
2011
Mixed media
60 x 92 x 48 inches (152.4 x 233.7 x 121.9 cm)
ARG# FLTR2011-009
Jamie's Bedroom
2007
Mixed media
ARG# TRN2007-009
Collection of the Solomon R. Guggenheim Museum, New York
Videos
CENTER JENNY
2013
HD Video; duration 53:15
Edition of 6 with 2APs
ARG# TRN2013-003
Item Falls
2013
HD Video, duration 25:45
Edition of 6 with 2APs
ARG# TRN2013-004
Comma Boat
2013
HD Video; duration 33:02
Edition of 6 with 2APs
ARG# TRN2013-002
Roamie View: History Enhancement (Re'Search Wait'S)
2009-2010
HD video, 28 minutes, 23 seconds
Edition of 5, 2AP
ARG# TRN2009-005
Ready (Re'Search Wait'S)
2009-2010
HD video, 26 minutes, 49 seconds
Edition of 5, 2AP
ARG# TRN2009-004
Temp Stop (Re'Search Wait'S)
2009-2010
HD video, 11 minutes
Edition of 5, 2AP
ARG# TRN2009-006
The Re'Search (Re'Search Wait'S)
2009-2010
HD video, 40 minutes, 6 seconds
Edition of 5, 2AP
ARG# TRN2009-007
P.opular Sky (section ish)
2009
HD video, 43 minutes, 51 seconds
Edition of 5, 2AP
ARG# TRN2009-003
K-CorealNC.K (section a)
2009
HD video, 33 minutes, 5 seconds
Edition of 5, 2AP
ARG# TRN2009-002
Sibling Topics (section a)
2009
HD video, 51 minutes, 26 seconds
Edition of 5, 2AP
ARG# TRN2009-001
Biography
Ryan Trecartin (b. 1981 Webster, TX) lives and works in Los Angeles.
For full Artist Bio please download PDF below:
Download PDFExhibitions
Past
Publications
Lizzie Fitch / Ryan Trecartin: Priority Innfield
Contributions by Christopher Glazek, Bridget Crone, Kenneth Goldsmith, and Ossian Ward. Edited by Paul Luckraft, Maitreyi Maheshwari, and Isabel Venero
The only book devoted to Priority Innfield, the multi-room installation first exhibited at the 2013 Venice Biennale, this volume offers a number of entry-points into an in-depth consideration of Fitch and Trecartin’s practice. Ossian Ward interviews Lizzie Fitch to draw out the finer points of the artists’ collaborative process and discuss the crucial role of materials and objects in the creation of atmospheres and narratives. Bridget Crone considers the bodies that populate the movies, and how they might symbolize the desire to reach for an allusive freedom from ‘swampy’ structures of control. New York–based poet and teacher Kenneth Goldsmith’s draws attention to the connections between Modernist language experiments and Ryan Trecartin as a writer for the digital age. Christopher Glazek’s close knowledge of the Fitch and Trecartin process allows a reflection on the complex way the contents of their art intersects with real world locations and histories, both personal and political.
Lizzie Fitch / Ryan Trecartin: Site Visit
Edited by Ellen Blumenstein; essays by Ellen Blumenstein and Thomas Miessgang
On the occasion of the debut of Lizzie Fitch / Ryan Trecartin’s sound and video installation Site Visit (2014) at KW Institute for Contemporary Art, this volume features essays by curator Ellen Blumenstein and critic Thomas Miessgang expanding on the work’s themes, structure, and complex sonic composition, as well as an image-based presentation of the exhibition and video.
The six-channel video component of the work was shot in a former Masonic temple in Los Angeles. Inspired by its unusual organization and structure—a five-story warren of large, cavernous rooms akin to a convention center—the movie’s protagonist is the building itself. Echoing the game-like narratives from the movies comprising Priority Innfield (2013), it is the premise-driven context that locates agency and meaning in Site Visit.
Starting as a spatial soundscape, Site Visit unfolded over a number of anterior rooms and evolved into a complex installation in the exhibition hall. In this part of the exhibition space, the artists presented a six-channel video on projection screens situated in a way that mirrors the video’s own 5.1 surround sound, engaging the visual, sonic, and physical fields as a combined object.
Hardcover, 10¼ x 13¾ inches, 160 pages
Published by Walther Koenig, Cologne (2015)
Ryan Trecartin: Yet
Published by UCCA/Koenig Books Edited by Karen Marta, Brian Roettinger.
For his first artist book—published to coincide with the exhibition The Los Angeles Project at Ullens Center for Contemporary Art, Beijing, in 2014—Trecartin compiled over one hundred composited images he created by mining his personal Instagram and Snapchat feeds, screenshots, and photos, all captured and archived in his phone. While developing several new bodies of work that encompass video, sculpture, and installation (which debuted in Berlin and Los Angeles in late 2014) Trecartin collected images which functioned as both reference material and conceptual pivot points for these expansive group of works. While Yet started with the premise of communicating visually with an audience who does not share the same language or cultural references, it evolved into a creative document of the images and ideas that fuel Trecartin’s artistic process.
Paperback, 6½ x 9 inches, 96 pages
Published by UCCA, Beijing/Walther Koenig, Cologne (2015)
Ryan Trecartin: Any Ever
Edited by Kevin McGarry, Foreword by Jeffrey Deitch, Contribution by Lauren Cornell, Kevin McGarry and Linda Norden
“What [Trecartin] has unleashed is larger than himself, which is why both his sudden appearance and continuing evolution are such cause for hope.”—Roberta Smith, New York Times
“The most consequential artist to have emerged since the nineteen-eighties, he is being hailed as the magus of the Internet century.” –Peter Schjeldahl, The New Yorker
Since the debut of his first feature-length video, the 2004 A Family Finds Entertainment, Ryan Trecartin (b. 1981) has been hailed as one of the most exciting artists of his generation. His movies layer the visual and the aural in virtuosic combinations of color, form, drama, and montage to produce a sublime, stream-of-consciousness effect that feels bewilderingly true to life. This volume, the first monograph on Trecartin, includes extended illustrated sections on his seven-part epic Any Ever, 2009–10, as well as I-Be Area, 2007, and A Family Finds Entertainment. A trio of essays by curators Lauren Cornell, Kevin McGarry, and Linda Norden focus on Trecartin’s repurposing of language, his open-source approach to personality and gender, and his extended amplifications of consumer culture. An interview with Trecartin by artist Cindy Sherman provides a revealing glimpse into his collaborative process.
Surround Audience
by Lauren Cornell (Author), Ryan Trecartin (Author)
Paperback: 304 pages
Publisher: Skira Rizzoli (March 10, 2015)
Language: English
ISBN-10: 0847845206
"God bless the New Museum’s tantalizing triennial." —Jerry Saltz, New York magazine
The Generational Triennial is a signature initiative of the New Museum, one of the world’s leading institutions devoted to contemporary art. This acclaimed exhibition of work by emerging artists from around the world provides an important platform for a new generation of artists who are shaping the current discourse of contemporary art and the future of culture. Featuring over fifty artists from thirty countries, the exhibition extends to performances and site-specific projects throughout New York to explore how artists are engaging diverse audiences through their work.The accompanying catalog includes artist statements and their biographies, as well as substantive essays by curators Lauren Cornell and Ryan Trecartin, along with contributions by other international art and cultural critics.
Mass Effect: Art and the Internet in the Twenty-First Century
Edited by Lauren Cornell and Ed Halter
Since the turn of the millennium, the Internet has evolved from what was merely a new medium to a true mass medium-with a deeper and wider cultural reach, greater opportunities for distribution and collaboration, and more complex corporate and political realities. Mapping a loosely chronological series of formative arguments, developments, and happenings, Mass Effect provides an essential guide to understanding the dynamic and ongoing relationship between art and new technologies.
Mass Effect brings together nearly forty contributions, including newly commissioned essays and reprints, image portfolios, and transcribed discussion panels and lectures that offer insights and reflections from a wide range of artists, curators, art historians, and bloggers. Among the topics examined are the use of commercial platforms for art practice, what art means in an age of increasing surveillance, and questions surrounding such recent concepts as "postinternet." Other contributions analyze and document particular works by the artists of And/Or Gallery, Cory Arcangel, DIS, Cao Fei, the Radical Software Group, among others, including an essay by Michael Wang on Ryan Trecartin.
Mass Effect relaunches a publication series initiated by the MIT Press and the New Museum in 1984, which produced six defining volumes for the field of contemporary art. These new volumes will build on this historic partnership and reinvigorate the conversation around contemporary culture once again.
MIT Press and the New Museum of Contemporary Art; 2015; Hardcover; 6.75" x 9.5"; 528 pp; 32 color and 99 b&w illustrations; ISBN 9780262029261
Press
Artforum
Art in America
New Yorker
Art Observed
Artsy
Bomb Magazine
Spring 2016
N Plus One
The New Yorker, Profile on Ryan Trecartin
Experimental People: The exuberant world of a video-art visionary.
March 24, 2014
Ryan Trecartin Press Kit
News
Ryan Trecartin at the Anchorage Museum
January 6, 2017
Ryan Trecartin's Yo! A Romantic Comedy will be screened at the Anchorage Museum on January 6, 2017 in conjunction with the exhibiton "Camouflage: In Plain Sight," on view through February 5, 2017.
For more information and tickets, please visit the museum website.
Anchorage Museum
625 C Street
Anchorage, AK 99501
Ryan Trecartin at the Park Avenue Armory
November 14, 2016
The Park Avenue Armory presents Ryan Trecartin and Lizzie Fitch performing new sonic compositions live for the first time as part of the Artists Studio series, curated by Jason Moran. The artists will be joined by musicians and collaborators, including producer and DJ Ashland Mines (aka Total Freedom) and composer/producer Aaron David Ross (who will be conducting and doing the music direction).
Ryan Trecartin at the Münchner Kammerspiele and Sammlung Goetz
November 1, 2016
Müncher Kammerspiele presents a stage adaptation of Ryan Trecartin's video The Re'Search. Adapted by Felix Rothenhäusler and set in a room designed by Jonas von Ostrowski with a light installation by Matthias Singer, The Re'Seach is the first theatrical staging of a text by Ryan Trecartin. A bilingual publication of the screenplay of The Re'Search, translated by Tobias Haberkorn and published by Merve Verlag, is forthcoming.
Coinciding with the production is an installation of Premise Place (edit 1), exhibited for the first time in Europe at the Sammlung Goetz after premiering at the New Museum in "The Generational Triennial: Younger Than Jesus."
Müncher Kammerspiel
Kammer 3
Hildegardstraße 1
80539 Münich
Sammlung Goetz
Oberföhringer Straße 103
D - 81925 Münich
Lizzie Fitch/Ryan Trecartin for W Magazine
October 20, 2016
Lizzie Fitch / Ryan Trecartin's project titled placebo pets for W features Kendall Jenner and Gigi Hadid. The 10th anniversary issue will be out on newstands this week. A video of the project can be viewed here.
Lizzie Fitch/Ryan Trecartin at the Astrup Fearnley Museet
September 22, 2016
The Astrup Fearnley Museet is featuring work by Lizzie Fitch/Ryan Trecartin in the exhibition Los Angeles: A Fiction on view from September 22, 2016 through January 22, 2017.
Astrup Fearnley Museet
Strandpromenaden 2,
0252 Oslo, Norway
Fitch/Trecartin at Musée d'art contemporain de Montréal
June 8, 2016
Lizzie Fitch/Ryan Trecartin's Priority Innfield will be on view at the Musée d'art contemporain de Montréal from June 22 - September 5, 2016.
Musée d'art contemporain de Montréal
85 Sainte Catherine Street West
Montreal, Quebec H2X 3X5
Canada
Lizzie Fitch/Ryan Trecartin and Simon Fujiwara in the 9th Berlin Biennale
May 25, 2016
Lizzie Fitch/Ryan Trecartin and Simon Fujiwara are participants in the 9th Berlin Biennale curated by DIS. The exhibition will be on view from June 4 - September 18, 2016.
Ryan Trecartin featured in BOMB Magazine
March 16, 2016
Ryan Trecartin is interviewed by Sarah Lehrer-Graiwer in the Spring 2016 issue of BOMB magazine.